Pentru ca am stabilit in sinea mea ca duetul dintre Don Giovanni si Zerlina este un moment definitoriu pentru muzica, va propun sa parcurgem diferitele interpretari, pe care le-am gasit pe net.

Propunerea 1 – “COLD” – sunt frumosi dar nu joaca scena (Anna Netrebko si Bo Skovhus)

Propunerea 2 – “WARM” – sunt deosebiti … si exploreaza drumul cel bun al interpretarii (Cecilia Bartoli si Thomas Hampson)

Propunerea 3 – “HOT” – sunt actori desavarsiti … scena e din spectacol – saracul Mazetto! (Hong Hei-Kyung si Bryn Terfel Jones)

Propunerea 4 – “PERFECTION” – Renee Fleming si Dmitri Hvorostovsky… fara cuvinte! Superb …


Time-lapse photography is a technique whereby the frequency at which film frames are captured (the frame rate) is much lower than that used to view the sequence. When played at normal speed, time appears to be moving faster and thus lapsing. For example, an image of a scene may be captured once every second, then played back at 30 frames per second. The result is an apparent 30-times speed increase. Time-lapse photography can be considered the opposite of high speed photography or slow motion.

Processes that would normally appear subtle to the human eye, e.g. the motion of the sun and stars in the sky, become very pronounced. Time-lapse is the extreme version of the cinematography technique of undercranking, and can be confused with stop motion animation.

(Sursa: Wikipedia)

Un film despre obligatia noastra de a filtra ceea ce ni se prezinta in fiecare zi.

Nu putem da vina pe televiziuni si nici pe extraterestrii, insa uneori ni se pare ca lucrurile sunt regizate in interesul altora – nu al nostru, al pamantenilor …

E interesant sa vezi cum gandea John Carpenter la sfarsitul anilor ’80 ai secolului trecut – si mult mai interesant este sa gandesti asta comparativ – caci noi eram inca aliniati la coada la lapte sau ne agitam sa luam zahar si ulei pe cartela – in timp ce baietii astia de dincolo de Ocean isi puneau probleme serioase despre consumism …

Ia te uita ce spunea in urma cu peste 20 de ani, John Carpenter:

Working for the studios is no piece of cake. But it’s a trade-off situation, whomever you work for. You have much less creative freedom working for big studios, but they really release your film. By comparison, you have enormous creative freedom working for independent companies like New World. But when it comes time to sell your film and show it to the public, they don’t have the same clout as big studios. The independents have to fight to get your film in theaters in which to show your film and they have to fight to keep your film in those theaters. Everybody in the business faces one truth all the time — if your movie doesn’t perform immediately, the exhibitors want to get rid of it. The exhibitors only want product in their theaters which makes money. Quality has nothing to do with it.

Cat mai tine criza – dar mai ales cat va mai rezista “free” filmul “They Live” – il puteti vedea mai jos.